Andrew
SCOTTISH ROMANCE: My Sinful Surrender to a Highlander Werewolf (Scottish Werewolf Pregnancy Romance) (Historical Medieval Shape Shifter Paranormal Science Fiction Short Stories)Andrew is presented as a practical, economically minded father who treats marriage as both a family duty and a negotiable asset. His decisive act is arranging Victoria’s marriage to Dylan, a Scottish landholder, because the proposed union promises access to profitable trade as well as a socially acceptable husband for a daughter whom local men are unwilling to court. Through Andrew, the narrative makes the intimate consequences of arranged marriage inseparable from property, commerce, paternal authority, and succession.
Identity and Family Position
Andrew’s role is defined through his authority over Victoria and his partnership with Lydia in managing the family’s future. He knows that Victoria expects a cultured husband in London, surrounded by fine furnishings and fashionable parties, yet he and Lydia agree not to tell her about the Scottish arrangement until the agreement is complete. Their secrecy is not accidental: they anticipate Victoria’s anger, tantrums, and disobedience, and believe that concealing the decision will prevent her from obstructing it.
Andrew also judges Victoria through the marriage market available to her. He believes that none of the suitable men in their circle would accept her hot-headed and unpredictable temperament, so the proposed match with Dylan becomes, in his eyes, a practical solution to a social problem. His paternal concern is therefore mixed with a limiting assessment of his daughter. Rather than asking what Victoria wants, he calculates which man might tolerate her and what advantage the family could gain from the match.
The Marriage as a Business Arrangement
Andrew travels to the town meeting accompanied by his private guard and arrives early enough to settle into a pub, order lunch, and wait for Dylan. The meeting begins with an immediate contrast: Dylan is enormous, bearded, and accompanied by several men who appear to be relatives, while Andrew approaches him as a negotiator assessing a potentially formidable partner. Dylan refers to his good references, and Andrew responds in the same language of mutual verification, as though the prospective marriage were already part of a commercial transaction.
The economic terms are central. Andrew expects the trade to make him a tidy sum, while Dylan offers Scottish wool in exchange for Andrew’s grain. Andrew recognizes that the grain-and-wool arrangement could benefit both sides, although he remains aware that the deal could suffer if the grain turns sour. The marriage is not merely attached to the business agreement; it is what allows the agreement to proceed. Andrew understands that the promised wife is part of the negotiation’s structure, making Victoria’s future the guarantee behind a wider commercial partnership.
When the discussion reaches the marriage itself, Andrew worries that Dylan might be strong enough to “snap him in half” if Victoria proved more difficult than expected. Even so, he accepts the risk because the trade depends on the promised bride and because Victoria is not becoming any younger. He and Dylan shake on the deal, and Andrew returns home with the arrangement settled, telling Lydia, “It is done.” That brief declaration marks the completion of a decision made for Victoria but without her participation.
Secrecy, Authority, and the Journey North
Andrew’s control continues after the negotiation. He dreads the dinner at which he must announce Victoria’s upcoming wedding, knowing that she has been raised to expect an arranged marriage but never imagined that the arrangement would send her so far from home to live with a Scot. The distinction matters: Andrew treats the principle of arranged marriage as accepted family practice, while withholding the specific destination and husband because he knows those details may provoke resistance.
When the carriage reaches Dylan’s home, Andrew dismounts and approaches him while mounted escorts remain nearby to monitor the meeting. Victoria looks through the carriage window and sees that Dylan lives in a castle, while Lydia tries to reassure her that the situation may not be as bad as she fears. Andrew’s presence at the entrance turns the wedding arrangement into a formal handover: he has negotiated the terms, transported his daughter to the new household, and now oversees the threshold at which the agreement becomes domestic reality.
Consequences and Ending
The arrangement eventually produces the outcome Andrew’s calculations anticipated: Victoria becomes pregnant by Dylan. At the end, Andrew looks up in shock when Victoria and Lydia descend the staircase, seeing his daughter swollen with pregnancy. Victoria proudly pats her stomach and tells him that one day his estate will belong to the proud Scot beside her. Her statement converts the marriage’s commercial logic into an explicit succession future, linking pregnancy, Dylan’s status, and Andrew’s property.
Andrew’s story therefore ends without a repudiation of the bargain. The final image confirms that the arrangement has achieved its immediate purposes: Victoria has married into Dylan’s household, the alliance has generated a child, and inheritance is now imagined as passing through the Scottish husband. Yet the apparent success also reveals the cost of Andrew’s pragmatism. He secured trade and a husband through paternal negotiation, but the same process placed Victoria’s body, movement, marriage, and future property under the control of an agreement she was deliberately prevented from resisting.
Narrative Significance
Andrew belongs to a wider pattern in which intimate relationships are organized as contracts, inheritances, immigration arrangements, or exchanges of labor and protection. Elsewhere, marriage is proposed as a way to secure an estate, transport a woman and provide citizenship, or establish a long-term obligation to bear a child. Andrew’s version is more historically domestic, but it follows the same principle: personal attachment is made legible through financial advantage and enforceable expectations.
His conduct also contrasts with relationships in which partners negotiate openly or attempt to offer emotional care. Andrew’s reasoning is consequentialist in a narrow family-economic sense: if the trade is profitable and Victoria receives a husband, the arrangement appears worthwhile. The narrative does not show him considering consent as an independent value. Instead, his secrecy and final satisfaction demonstrate how paternal authority can turn a daughter’s marriage into infrastructure for commerce and inheritance, leaving the success of the bargain to conceal the coercion that made it possible.